The New Yorker recently deemed Nanette the perfect comedy performance for the #MeToo movement.
“I love angry white man comedy. It’s so funny, it’s hilarious. They’re adorable. Why are they angry? If they are having a tough time, the rest of us are goners,” Gadsby jokes. Several times in Nanette, she critiques the male voices that dominate comedy, punctuating the tension with comments like “just jokes” or “lighten up,” appropriating the average comedian’s default, flippant response to accusations of bigotry or offensiveness. In just two words, Gadsby illuminates how, since time immemorial, men have gotten to decide who is pathological. READ
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