YOU may not be expecting this:
With this Zodiac change, the ambiguity of human behaviors, of comprehending them, and their personalities, just amplified. However, we still have some information on the new astro sign dates.
– Capricorn: Jan 20 – Feb 16
– The Goat: disciplined, responsible, condescending
– Aquarius: Feb 16 – March 11
– The Water Bearer: independent, humanitarian, temperamental
– Pisces: March 11 – April 18
– The Fish: artistic, compassionate, weak-willed
– Aries: April 18 – May 13
– The Ram: courageous, passionate, impulsive
– Taurus: May 13 – June 21
– The Bull: reliable, devoted, stubborn
– Gemini: June 21 – July 20
– The Twins: curious, gentle, indecisive
– Cancer: July 20 – Aug 10
– The Crab: imaginative, sympathetic, manipulative
– Leo: Aug 10 – Sept 16
– The Lion: cheerful, generous, arrogant
– Virgo: Sept 16 – Oct 30
– The Virgin: analytical, hardworking, shy
– Libra: Oct 30 – Nov 23
– The Scales: social, fair-minded, self-pitying
– Scorpio: Nov 23 – Nov 29
– The Scorpion: resourceful, brave, distrusting
– Ophiuchus: Nov 29 – Dec 17
– The Serpent Bearer: Knowledge-seeking, admired, envied
– Sagittarius: Dec 17 – Jan 20
– The Centaur: idealistic, humorous, impatient
[ Via : Scoopwhoop ] READ WHY
Emergency Department
Emergency Department
by Kat Lehmann (Goodreads Author)
wheeled like dim sum (I make offerings)
my red rivers spill
in the tapping of the one good vein
while repetitive beeps of wayward machines
rehearse their uninspired 1980s electronica
and me, writing these words on the back
of an envelope with a borrowed dry erase marker
(don't second guess yourself, you did the right thing)
a night without my children—
I watch them round a distant corner with their father
"Irregular EKG," the doctor said.
"It's like your heart doesn't know what to do."
"Whose does?" I ask. Whose does.
Bumble Bee Set to Become Officially Endangered
The U.S. Fish and Wildlife Service (USFWS) has proposed listing a species of bumble bee as an endangered species, the first bee species to be granted such federal protection in the continental United States.
"This decision comes not a moment too soon," said Rebecca Riley, senior attorney with NRDC. "Bee populations -- including thousands of species of wild bees -- are in crisis across the country, and the rusty patched bumble bee is one of the most troubling examples. (This) decision is a critical step forward. If finalized, the endangered species protections will improve the health of our ecosystem as well as the security of our national food supply."
If you're looking to help the bees in your hood, consider adding some native flowering plants to your garden. "Think of the flowers your grandmother used in her garden as a practical guide, especially when using nonnative plants," advises a USDA report. "The pollinators will thank you."
blackacre

Blackacre
Poems
Monica Youn
| Price | $16.00 |
- Paperback
“Each poem feels urgent thanks to the tension created by language that is austere yet unsparing, and rhetoric that is restrained yet deeply emotional. . . . [Youn’s] intelligence feels extensive and inviting. . . . Blackacre stands as a gorgeous and intellectually scintillating addition to this esoteric and necessary tradition.”—Chicago Tribune
“[Youn] tightly yet playfully interrogat[es] inheritance and legacy, real and fictional landscapes, and the particular bodily experience of a woman hoping to conceive. . . . Youn's lawyerly analyses—of life, of herself, her feelings, and of language—cut through the poetic to a place that lies between poetry, lyric memoir, and textual analysis.”—Publishers Weekly
About the Book
The brilliant new collection by Monica Youn following Ignatz, a finalist for the National Book Award
the trees all planted in the same month after the same fire
each thick around
as a man’s wrist
meticulously spaced grids cutting the sunshine
into panels into planks
and crossbeams of light
an incandescent architecture that is the home that was promised you
—from “Whiteacre”
each thick around
as a man’s wrist
meticulously spaced grids cutting the sunshine
into panels into planks
and crossbeams of light
an incandescent architecture that is the home that was promised you
—from “Whiteacre”
First coined in 1628, the term “blackacre” is a legal fiction, a hypothetical estate. It is also a password among lawyers marking one’s initiation into a centuries-old tradition of legal indoctrination. Monica Youn’s fascinating, multifaceted new collection, Blackacre, uses the term to suggest landscape, legacy, what is allotted to each of us—a tract of land, a work of art, a heritage, a body, a destiny. What are the limits of the imagination’s ability to transform what is given? On any particular acre, can we plant a garden? Found a city? Unearth a treasure? Build a home? Youn brings her lawyerly intelligence and lyric gifts to bear on questions of fertility and barrenness as she attempts to understand her own desire—her own struggle—to conceive a child. Where the shape-making mind encounters unalterable fact, Blackacre explores new territories of art, meaning, and feeling.
Additional Reviews
“In Monica Youn’s remarkable series of poems, words and objects are alike subjected to a probing intelligence that is at once philosophical and psychological. The precision of observation at every level is almost overwhelming. The reader cannot relax for an instant, nor does she want to because the unfolding thought, wire tight and tactile as well as conceptual, is so compelling and demanding of a complete attention that is more than rewarded.”—Stanley Fish
“Monica Youn, quite simply, is one of the two or three most brilliant poets working in America today. In these revelatory poems, the reader encounters an exhilarating thinking-through of all that lyric form entails. No one can match her for impeccable distillation; we knew that before. But in Blackacre, we also encounter a more expansive, undefended version of the poet than any of her previous work had led us to expect. This book is a marvel; read it and read it again.”—Linda Gregerson
“Blackacre is virtuosic: poems so sharp and fine they cut deep past the body or the self or the mind—they’re needles of rain carving out a canyon. Death is as close as birth, and as far. Youn dazzles with her enigmatic loopholes—the taut noose, the elusive umbilicus, the Möbius qualities of longing and lack and love—which shadow or shape who we are, and what can be called ours.”—Brenda Shaughnessy
I gotta read this! BOOM!
I gotta read this! BOOM!
i'm loving win blevins
Praise for Moonlight Water
“First-rate book. Win and Meredith are a super couple and fine writers.” —Clive Cussler
“The ghosts of Mark Twain, Jack Kerouac, and Joseph Conrad haunt MOONLIGHT WATER, the latest in the long and honorable tradition of road stories, but with 21st century angst laid in. To this, the Blevins writing team has introduced the themes of spiritual awakening, personal redemption, love rekindled—and a thumping good detective story. How they managed to fit all this between two covers, and in such entertaining fashion, is the stuff and substance of great literature.” —Loren D. Estleman
“A quirky and heartfelt story of a lost soul just trying to find some meaning in life. Aren't we all? The best part is the clear reverence for Navajo wisdom and the vast and wonderful desert from which it is born.” —Michael and Kathleen Gear
“Moonlight Water takes the reader on the high road of adventure. Running from the rock & roll of an old life to the edge of the world & beyond. It's as old as time and as new as tomorrow. Love it.” —Gil Bateman, exec at Elektra Records, co-founder, Wyndham Hill Records
“Moonlight Water is an engaging, spellbinding novel of life, love, courage and redemption.” —Liberty Voice
“The ghosts of Mark Twain, Jack Kerouac, and Joseph Conrad haunt MOONLIGHT WATER, the latest in the long and honorable tradition of road stories, but with 21st century angst laid in. To this, the Blevins writing team has introduced the themes of spiritual awakening, personal redemption, love rekindled—and a thumping good detective story. How they managed to fit all this between two covers, and in such entertaining fashion, is the stuff and substance of great literature.” —Loren D. Estleman
“A quirky and heartfelt story of a lost soul just trying to find some meaning in life. Aren't we all? The best part is the clear reverence for Navajo wisdom and the vast and wonderful desert from which it is born.” —Michael and Kathleen Gear
“Moonlight Water takes the reader on the high road of adventure. Running from the rock & roll of an old life to the edge of the world & beyond. It's as old as time and as new as tomorrow. Love it.” —Gil Bateman, exec at Elektra Records, co-founder, Wyndham Hill Records
“Moonlight Water is an engaging, spellbinding novel of life, love, courage and redemption.” —Liberty Voice
Locals, known as trogloditas, have been living in these caves for hundreds of years
TY4RT @Danielverdeis ! Would you live in a cave? These people do https://t.co/QJgJO23OdO #anthropology #Hobbit #architecture #824— Meeu Rotaru (@MeeuRotaru) October 1, 2016
Stress Relief: How to Give Your Brain a Vacation
This is a thought bomb/BOOM
In praise of frugality and a "simple life"
TYWKIWDBI ("Tai-Wiki-Widbee"): In praise of frugality and a "simple life": From a story in Boston.com :
Late University of New Hampshire librarian and alumnus Robert Morin spent almost 50 years of his life catering to others...
Late University of New Hampshire librarian and alumnus Robert Morin spent almost 50 years of his life catering to others...
A Perfect Circle - Counting Bodies Like Sheep To The Rhythm Of The War
haunting, right? This boom can be heard around the world...
A Perfect Circle - Counting Bodies Like Sheep To The Rhythm Of The War Drums (Hecteli Remix)
A Rare Black Moon Will Rise In the Sky on Friday Night
From the Western Hemisphere, the new moon occurring on Friday, Sept. 30, is a Black Moon. Officially, it occurs at 8:11 p.m. Eastern Time (5:11 p.m. Pacific Time).
Finks
I had not heard that word in a million years! Now this! BOOM!
When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America’s best-loved literary figures—including Peter Matthiessen, George Plimpton, and Richard Wright—tarnished as their work for the intelligence agency has come to light.
Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the “cultural” CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation.
Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state.
When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America’s best-loved literary figures—including Peter Matthiessen, George Plimpton, and Richard Wright—tarnished as their work for the intelligence agency has come to light.
Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the “cultural” CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation.
Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state.
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